"The Matrix": Racial Implications
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30 pages in length. The very essence of science fiction as a film genre is to stupefy audiences as to what reality might be like if the director's imaginative world ever truly existed. Indeed, one can readily argue that Star Wars, Independence Day and myriad other science fiction movies left audiences incredulous with the thought that somewhere, sometime, the world as we know it may reflect the director's vision. A particular draw to science fiction is the manner by which it allowably crosses the stringent boundaries of conventional thinking, delving deeply into what can often only exist in the recesses of one's imagination. The Matrix exemplifies one of those films where everything is viewed as an illogical twist of reality, compelling the audience to imagine reality as directors Andy and Larry Wachowski had imagined it. Most startling of all, wrapped up within a tale of technology gone awry, is the incarnation of racial transition; instead of being society's scapegoat, the black community is reflected as strong and brave, while the white race is portrayed as evil. Clearly, the directors' intention was to illustrate racial strife as just one of many social ills plaguing contemporary society. Bibliography lists 26 sources.
Filename: TLCmatrx.wps

"The Patriot" – Uniform Accuracy
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6 pages in length. Authenticity is a primary factor to a period film if it is to reflect the flavor, value and truthfulness of its subject. "The Patriot" is one movie where costumes reflect the entire ambiance of reality; while costume designer Deborah Scott worked with the Smithsonian Institute to ensure the authenticity of soldier uniforms and townspeople garb, there was nonetheless some rather glaring imprecision when it came to following the example left behind by history. Bibliography lists 2 sources.
Filename: TLCPatriot.rtf

"The Siege" – Post September 11, National Security And Terrorism
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5 pages in length. Examining the impact 1998's The Siege had upon portrayal and predictions of post-September 11th American society, one finds a startling parallel between reality and fiction. The quest to gather up Arab-Americans as being somehow related to the recent terrorist incident smacks of the gross infringement upon civil liberties that ensued immediately following the real life attacks on 911. Bibliography lists 4 sources.
Filename: TLCSiege.rtf

"The Tempest": Film and Text
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A 5 page paper which compares and contrasts the film and the text version of "The Tempest." The film version discussed is Paul Mazursky's. No additional sources cited.
Filename: RAtempst.wps

"The Wall" and Conflict Theory
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A 6 page paper which examines the Pink Floyd film "The Wall" from a perspective concerning conflict theory. Bibliography lists 4 sources.
Filename: RApinkwl.rtf

"Thin Red Line"/A Moral View
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An 8 page paper that looks at the movie "The Thin Red Line" and evaluates it according to several moral theories, including utilitarianism and Kantianism. Bibliography lists 6 sources.
Filename: khredlne.wps

"Traditionalists and Revivalists in Jazz" by Chip Deffaa
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A 12 page book review which considers the book's chronicle of 14 important performers who are frequently overlooked in popular jazz texts. Bibliography lists 10 sources.
Filename: TGtrarev.wps

"Triumph Of The Will" And "Anne Frank Remembered": Compare/Contrast
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6 pages in length. The distinction between narrative and fiction is that narrative is derived from reality, whereas fiction is born of someone's imagination. That is not to say that either one presents a better form of documentary than the other, but rather to recognize that one's foundations is based in truth, while the other comes from the imaginative process. An example of a narrative documentary, "Triumph of the Will" might be construed as any one of various historical accounts where the information possesses a factual background, while "Anne Frank Remembered" represents a narrative where there is no assault upon the subject's integrity. War, nature, biographies -- these all represent a narrative in that they document reality, yet based upon the criteria found in Dai Vaughn's "For Documentary: Twelve Essays," Riefenstahl's account bears a significant obstacle in capturing absolute truth when compared with Blair's personal chronicle of Anne Frank's struggle against Nazi invasion. Bibliography lists 4 sources.
Filename: TLCTriWl.rtf

"What About Bob?"
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A 3 page paper discussing the ethics of the behavior of mental health professionals as portrayed in this 1992 Bill Murray comedy. Bibliography lists 1 source.
Filename: KSfilmReWhBob.rtf

"What Dreams May Come": Mythical Component
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6 pages in length. The writer discusses the mythical element of the movie "What Dreams May Come," as well as associates such with Freud and ancient mythology. Bibliography lists 2 sources.
Filename: TLCdreem.wps